Post by Techguy on May 29, 2007 22:29:29 GMT -5
This is indeed a classic CI episode which I enjoy and appreciate more each time I view it. It represents what CI is supposed to be about and what it does best--it gets down and deep into the dark motives of complex and interesting villains (the criminal's intent) while unraveling the whys of what was done and revealing last minute surprises in stunning memorable arias. In "Cherry Red" we also are treated to personal details like Goren's friend Lewis and former girlfriend Lola without any melodrama. Oh to be able to turn back the hands of time on the clock of CI's seasons...
The contrast between the two most obvious parent/child relationships in "Cherry Red" is very striking in their differences. Kate planned to use whatever inheritance she received from the deceased old woman to afford a more private room for her cancer-ridden mother in hospice. Roger, on the other hand, planned to use his ill-gotten gains stolen from the old woman he murdered and other clients to escape the clutches of his grasping and needy father. Given what we learned about Goren and how he handled his responsibilities for his own mother, the resonance of how parents and their adult children relate to one another is all the more striking. And also given what we now know will come down between Goren and his mother in the future, the exchange between him and Carver about ruined lives "only if we let them" summarizes in a few words what Goren's character is all about.
As villains go, it's a toss-up between Roger and Stan as to which is worse. Both the son and the father commit murder for purely selfish reasons--Roger to escape his responsibility for his father's care and Stan to cover for his son so as to continue leeching off him. Again the resonance and contrast to how Goren has handled his own responsibilities is quite apparent.
The process of how Goren goes about finding clues and making deductions in "Cherry Red" is a joy to watch. I've said this before elsewhere, but the "deflowering" of the cherry red Ferrari has to be one of the absolute best CI scenes ever. In addition to missing the complex crime stories, Goren's deductions, and the arias, I also miss the humor of scenes like the one where Goren upstages Roger to take control of the situation and the Ferrari. How I miss these good old days of CI's heyday.
The contrast between the two most obvious parent/child relationships in "Cherry Red" is very striking in their differences. Kate planned to use whatever inheritance she received from the deceased old woman to afford a more private room for her cancer-ridden mother in hospice. Roger, on the other hand, planned to use his ill-gotten gains stolen from the old woman he murdered and other clients to escape the clutches of his grasping and needy father. Given what we learned about Goren and how he handled his responsibilities for his own mother, the resonance of how parents and their adult children relate to one another is all the more striking. And also given what we now know will come down between Goren and his mother in the future, the exchange between him and Carver about ruined lives "only if we let them" summarizes in a few words what Goren's character is all about.
As villains go, it's a toss-up between Roger and Stan as to which is worse. Both the son and the father commit murder for purely selfish reasons--Roger to escape his responsibility for his father's care and Stan to cover for his son so as to continue leeching off him. Again the resonance and contrast to how Goren has handled his own responsibilities is quite apparent.
The process of how Goren goes about finding clues and making deductions in "Cherry Red" is a joy to watch. I've said this before elsewhere, but the "deflowering" of the cherry red Ferrari has to be one of the absolute best CI scenes ever. In addition to missing the complex crime stories, Goren's deductions, and the arias, I also miss the humor of scenes like the one where Goren upstages Roger to take control of the situation and the Ferrari. How I miss these good old days of CI's heyday.